Lucio Fontana: On the Threshold / Editor Iria Candela ; textos de Emily Braun ...[ y 4 más]
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TextLanguage: English Publication details: Nueva York : Metropolitan Museum of Art, 2018. Description: 236 páginas : ilustraciones a color ; 27 cm. + 1 hoja suelta promocional Carrier type: VolumenISBN: 9781588396822Title translated: Lucio Fontana : en el umbralSubject(s): Fontana, Lucio, 1899-1968 -- Trabajos artísticos | Fontana, Lucio, 1899-1968 -- Crítica e interpretación | The Metropolitan Museum of Art (Nueva York, Ny) -- Exposiciones | Artistas plásticos argentinos -- Siglo XX -- Catálogo de exposición | Arte contemporáneo argentino -- Catálogo de exposición | Espacialismo | Catálogos y exposicionesDDC classification: 709.982 F67o 2019 | Item type | Current library | Call number | Copy number | Status | Date due | Barcode |
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Catalogo de exposición
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ArtNexus General | 709.982 F67o 2019 (Browse shelf(Opens below)) | Ej.1 | Available | 13159 |
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| 709.982 F67l 1982 Lucio Fontana / | 709.982 F67l 1987 Lucio Fontana / | 709.982 F67m 1974 Manifiesto blanco / | 709.982 F67o 2019 Lucio Fontana: | 709.982 F82m 2004 Magda Frank / | 709.982 F98a 2019 Los Artistas y los viajes / | 709.982 G13e 2000 Silvia Gai |
Incluye 156 ilustraciones a color ; 73 bitono, lecturas selectas e índice
La odisea de Fontana
/ Iria Candela. -- El malabarista: el arte de Fontana bajo el fascismo italiano
/ Emily Braun. -- Los años de la guerra: Fontana en Argentina
/ Andrea Giunta. -- No es un contra sino un pro: Fontana y el arte europeo, 1947–1968
/ Anthony White. -- El eje latino en las vanguardias del siglo XX
/ Enrico Crispolti. -- Mirando a través del cristal y lo que Fontana encontró allí
/ Pia Gottschaller.
Lucio Fontana (1899–1968), a major figure of postwar European art, blurred numerous boundaries in his life and his work. Moving beyond the slashed canvases for which he is renowned, this book takes a fresh look at Fontana’s innovations in painting, drawing, ceramics, sculpture, and installation art.
Fontana was an important figure in both Italy and his native Argentina, where he pushed the painterly into the sculptural and redefined the relationship between mediums. Archival images of environments, public commissions, installations, and now-destroyed pieces accompany lavish illustrations of his work from 1930 to the late 1960s, providing a new approach to an artist who helped define the political, cultural, and technological thresholds of the mid-twentieth century.
Textos en ingles